Romance Is Boring (Princess Version)
July 5, 2010, 12:45 am
Filed under: WHEAT


On Ollie
June 30, 2010, 4:16 pm
Filed under: WHEAT


You might have seen a blogpost from Ollie the other day announcing his departure from the band, and we feel like we should offer a few words of explanation, publicly.

This is really tough to talk about for so many reasons.  I guess first off, you should know that the last few weeks have been pretty horrible for everyone, especially Ollie.  We didn’t think we’d ever be in this position and it’s been hard enough to deal with privately, let alone publicly, but we’ve certainly taken no pleasure whatsoever in any of this: asking one of our best friends to leave the band we formed together really does feel as shit as you would expect.

It’s obviously difficult to explain this decision in a sensitive way, because Ollie’s been nothing but professional and genuinely lovely throughout his time in this band, and has continued to be, even now.  Any of you that have met him will know what he’s like, and what a good guy he is.

So we feel we should stress that the reasons for this decision were never personal nor down to any lack of effort or professionalism on Ollie’s part; we still love and respect Ollie deeply.  Please understand that it’s a decision we all felt we had to make for Los Campesinos! to be able to continue as a band at all.

We’ve had over three brilliant years with Ollie and made three records I think we’re all proud of, and in that time he’s always been enthusiastic and hard-working, and, well, just an all-round nice guy.  Hopefully this decision won’t make any of us less proud of what we’ve achieved together, as it really has been a pleasure being in a band with him.  Again, we can’t emphasise enough just how shit this whole situation is, but we hope you’ll understand.

There is no danger of this being the end of Los Campesinos!, and we will definitely continue more enthusiastically and stronger than ever.  All scheduled gigs will continue as planned.

LC! x

April 29, 2010, 10:42 pm
Filed under: WHEAT

We are very pleased to announce that on July 15 we will be playing a show to mark the Tenth Anniversary of our beautiful home, Wichita Recordings.

At London’s Relentless Garage venue, we will be joined by Frankie & The Hearstrings and Johnny Foreigner to play the final of four big celebratory Wichita shows.

More details at the Wichita website:

A negative, for this reason and others, our show at Shepherd’s Bush Empire in May will no longer take place. Bummer. Refunds available through the ‘normal’ ‘channels’. We are incredibly sorry to anybody who made travel or accommodation plans, or anyone who’s been inconvenienced or disappointed by this change. Apologies, guys.

January 27, 2010, 11:06 am
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Friday May 21st – Solus, Cardiff

It is our pleasure to announce that on Friday May 21st we will be playing a headline show at Cardiff University’s Solus venue. It’s always a joy to play a show in Cardiff, but playing in the same venue (albeit on a far bigger stage) as our first ever gig, nearly exactly four years on, makes it all the more special.

Romance Is Boring is released (as you may be aware) on February 1st, and for that week only, you can buy a copy of the album, plus a ticket to this show for only £18 from Cardiff’s premiere record shop, Spillers. Tickets will go on wider sale, later this week, at the price of £12.

January 25, 2010, 1:57 pm
Filed under: WHEAT

On this coming Sunday, January 31st we will be playing a FREE instore at Rough Trade East, Brick Lane, to celebrate the release of Romance Is Boring.


Rough Trade will be selling CD and LP copies of the album on the day; the day before the album’s UK release. You can guarantee a wristband (and therefore entry to the show) by purchasing a copy of said record from the store earlier on in the day.

OBVIOUSLY, if you’ve already pre-ordered the thing, it’s unfair to expect you to buy another copy, SO, if you email your proof of purchase to romanceisboring (at) gmail (dot) com with your full name and the subject title (this is important) RT Instore List, we will put your name on a guestlist.


  • We won’t start playing until the Manchester United v Arsenal match is finished, so you don’t need to worry about missing the end of that, incase you would have been. For those of you who, for whatever reason, do not live your life according to football, that means we’ll be on 6ish.
  • Obviously this instore is aimed at promoting and showcasing Romance Is Boring, so expect a set made up entirely of tracks from the new album. Because they are really fun for us to play right now.

Of course, this is a precursor to the MASSIVE ‘Romance Is Boring’ tour.

11 Feb Wrexham, Central Station (14+)
12 Feb Liverpool, EVOL@O2 (14+)
13 Feb York, Fibbers (14+)
15 Feb Aberdeen, Tunnels (14+)
16 Feb Dundee, Dog House (14+)
17 Feb Edinburgh, Bongo (18+)
18 Feb Derby, The Venue (14+)
19 Feb Leicester, The Musician (14+)
21 Feb Cambridge, Junction (14+)
22 Feb Norwich, Arts Centre (14+)
23 Feb Brighton, Audio New Slang Night (16+)
24 Feb Portsmouth, Wedgewood Rooms (14+)
25 Feb London, KOKO (15+)
26 Feb Falmouth, Princess Pavillion (ALL AGES)
27 Feb Bristol, Thekla (14+)
01 Mar Birmingham, The Rainbow (18+)
02 Mar Northampton, Roadmender (14+)
03 Mar Reading, Plug & Play (16+)
04 Mar Kingston, Banquet New Slang (18+)

January 22, 2010, 11:10 am
Filed under: WHEAT

It is our pleasure to announce that in this coming April/May we will once again traverse the Atlantic Ocean to play shows in North America. These are SOME OF the dates. More to be announced in due course, so please don’t go flipping out just yet if we don’t appear to be playing somewhere you would like us to be. There’ll still be plenty of time for that later.

We’re very excited to be touring Romance Is Boring in the States and Canada, and playing all these new songs to you.

(All shows ALL AGES unless marked otherwise)

20 Toronto, ONT Phoenix Theatre
22 New York, NY Irving Plaza
24 Boston, MA Paradise Rock Club (18+)
27 Washington, DC 9:30 Club
30 Chicago, IL Cabaret MetroMay
04 Seattle, WA Showbox Theatre
07 San Francisco, CA Grand Ballroom
08 Los Angeles, CA El Rey Theatre

9th May is the last day of the Premiership season, so it looks like we might be needing somewhere in LOS ANGELES to watch THE SOCCER. Nice one.

Romance Is Boring: Myspace Stream
January 18, 2010, 12:04 pm
Filed under: WHEAT

You are invited…


In Medias Res
There Are Listed Buildings
Romance Is Boring
We’ve Got Your Back (Documented Minor Emotional Breakdown #2)
Plan A
Straight In At 101
Who Fell Asleep In
I Warned You: Do Not Make An Enemy Of Me
Heart Swells/100-1
I Just Sighed. I Just Sighed, Just So You Know
A Heat Rash In The Shape Of The Show Me State; or, Letters From Me To Charlotte
The Sea Is A Good Place To Think Of The Future
This Is A Flag. There Is No Wind
Coda: A Burn Scar In The Shape Of The Sooner State




January 11, 2010, 10:18 pm
Filed under: WHEAT

In March of this year we will be undertaking a brief tour of some countries in Mainland Europe. We will be joined on this tour by our true brethren COPY HAHO. I cannot tell you how excited we are to be touring together again. Last time we did we all got Swine Flu and bathed in malibu, so who knows what will happen when we do this ON THE CONTINENT!! It’ll be like a Christmas special of a past it’s best British sitcom. Lock up yr daughters.

These are the dates:
10 Mar Munich (GERMANY), Atomic Cafe
11 Mar Zurich (SWITZERLAND), Club Room
12 Mar St Gallen (SWITZERLAND), Theater Palace
13 Mar Cologne (GERMANY), Gebaude 9
14 Mar Amsterdam (HOLLAND), Melkweg
15 Mar Paris (FRANCE), Le Point Éphémère
17 Mar Hamburg (GERMANY), Molotov
18 Mar Brussels (BELGIUM), Rotonde

Please consult venue websites, etc, for ticketing details.

If we are not playing in a country you live in, I am sorry. I hope we will some time soon. It is not (necessarily) personal.

January 4, 2010, 10:28 pm

Hello all, and Happy New Year. Apologies for being the straggler here, but if anyone still cares, here are my favourite albums of the decade. I’ve put them in the rough order in which I discovered them, so that its an accurate chart of my rambling, non-sensical musical journey from the Mercury Prize to Pitchfork and beyond (hopefully).

PJ Harvey: Stories from the City, Stories from the Sea
My Mum used to buy me the Mercury Music Prize CD every year, and in 2001, as far as I was concerned it was the last word in music and PJ Harvey was the last word in sophistication. On the album, she seemed to be living out my ultimate teenage fantasy lifestyle, especially in the video for Good Fortune where she’s walking the streets of New York at night. I think she welcomed me to the cult of the pop star, which I’m still quite prone to. See below…

Andre 3000: The Love Below
When I finally moved beyond having Hey Ya! on repeat, Andre 3000 was there in all his splendour with more variations of style and soul than I was ready for.

The Arcade Fire: Funeral
A list like this seems like a good place to celebrate collective passions as well as personal ones, and Funeral is the ultimate example of this for me. Ollie summed it up in his list.

Joanna Newsom: Ys
Her favourite drink is raspberry beer because it tastes like a unicorn’s tears. Aleks has already put it more succinctly than I could’ve: its so complete and immersive.

Low: The Great Destroyer
I cannot emphasize how much joining LC! has expanded my horizons, musically and otherwise. I knew Tom and Aleks liked Low, and the first time I heard them was when Tom put on ‘When I Go Deaf’ during an unexpectedly long mid-night, Mid-Wales drive. It took my breath away , and I can’t think of a better way to be introduced to Low.

Nico: The Frozen Borderline – 1968-1970
I don’t know if this is allowed…Not technically recorded between the years 2000 and 2009, but surely its a testament to the decade that it chose to reissue two of Nico’s less well-known albums, The Marble Index and Desertshore in such a complete and illuminating package?! The demos that are included are so moving, the sound of uninhibited self-expression.

Deerhoof: Reveille
For many, including me, to know them is to love them. I chose this album, out of the ones that I know, for its strange and appealing mix of familiarity and weirdness. They are so unique, but at the same time seem to contain the past fifty years of musical experimentation within them. They are another band pinnacle I think, and now I will stop this vain attempt to pin them down as being anything.

Animal Collective: Feels
It would be fair to say that I am a bit of a die-hard romantic, and so I had to pick Animal Collective’s most delicate record of the ones that I’ve heard. I really love their lyrics on this album and I love the thought of people writing whole series’ of songs to celebrate when they fall in love. Sorry about this readers, but I’m letting myself go because its the Christmas holidays. (I wrote this a few weeks ago and now I can’t even use the season as an excuse)

Battles: Mirrored
Typically, I was a latecomer to Battles. Unfortunately somehow I got them confused with the band Battle when I first read about them, and I just really couldn’t work out why people kept going on about them! Luckily I realised my grave mistake just in time to get very excited at the prospect of playing on the same day as them at Melt! Festival in Germany. We watched from the side of the stage, which is good in some ways, but can completely destroy any illusion that the band you love so much is talented or charismatic. Of course Battles sounded perfect and were completely riveting. Melt Festival! was also a very aesthetically appropriate place to watch them play, as the site is surrounded by huge disused pieces of machinery looming over a very modern concrete amphitheatre. They seem to me to be the pinnacle of what a band can be, but no doubt their next album will redefine it all over again.

Camille: Le Fil
She’s a ‘world music’ artist apparently, according to HMV. This album is also terribly avant garde because all the songs grow out of a continuously hummed drone note. What she actually is is a French singer who brings the tradition of the Parisian music hall into precisely the first decade of this century. Sadly I can’t speak French but Camille’s voice is just so emotionally direct that she seems to have all human emotions covered as well as some that are just her own.

Chrome Hoof: Pre-Emptive False Rapture
My friends from Islet introduced me to this. Its such an exciting album from start to finish and I’m so happy that this band exists today. They’re such massive show-offs and clearly have a few too many ideas up their long glittery druid sleeves. The sound that somebody makes in ‘Moss Covered Obelisk’ at 6:21 is certainly my best noise of the decade.

Micachu: Jewellery
I think Micachu is a special artist. This album manages to be simple and complex at the same time. Its so rhythmic and perfect to dance to and also, every moment is filled with ideas. When I listen to this album I get a sense of somebody who absolutely needs to make music, and would’ve created something amazing in whatever time, place or culture she found herself in.

December 30, 2009, 6:20 pm

Oh dear, I spent way too long over this list. And I seem to have included at least 35% of all of the albums that have been released over the decade. Having said that, lists like this are what define a man’s worth and when I die, I hope that my headstone reads: “Chose Animal Collective’s Campfire Songs over Merriweather Post Pavilion”. And this I did, because I always work to THE FORMULA (2 parts obscure records by well known bands + 2 parts obscure records by obscure bands + 1 part well known records by well known bands in a desperate attempt to demonstrate how normal and likeable I am). So please like me, I’m so thoroughly cool and good at lists.

Akron/Family- Akron/Family

A wonderful, vital, pulsating album. Try to imagine a white horse galloping up a waterfall. No, that’s not a horse, that’s a unicorn. And why have you taken your trousers off?

Jim O’Rourke- Insignificance

That Jim O’Rourke as a solo artist has been so illusive since this record makes it seem all the more like a precious gift that he casually deigned to fart out for the rest of us one lazy, vacant Sunday whilst washing his car. His vocal is reserved and quiet, as if, reclined in his leatherette office chair, he is comfortably operating within the bounds of his own brilliance. This is no rushed job, however; the arrangements and the production, even the lyrics are all absolutely sublime. Son of a bitch.

Ben and Bruno- 100 Grim Reapers

Ben and Bruno is the beautiful, unsung project of Peter J Brant a native of Grand Rapids, Michigan. I first heard this when staying at the house of a wonderful lady called Bernie with the Seattle band Tiny Vipers after a gig. Bernie made a phenomenal vegan curry, got us some beer and put 100 Grim Reapers on. It was one of the most ethereal experiences of my life. And then I fell asleep and had a disturbing dream about accidentally pulling all the fur off Bernie’s cat and having to explain it. It wasn’t my fault, by the way, it was all just Velcroed on in the first place.

Joni Mitchell- Travelogue

This is a collection of orchestral re-recordings of songs from throughout Mitchell’s career, but rather than stumbling into re-hashed irrelevance, this record offers up something all the more poignant within the re-workings. By this point a large proportion of her vocal agility has been ravaged by age and a smoking habit that she has cultivated since her early teens, but perhaps as a consequence her phrasing and gravitas are heightened. Amelia, the soaring paean to the lost pilot Amelia Earhart suddenly transforms into a crippling summation of her emotional shortcomings from the loftier heights of old age; “maybe I’ve spent my hole life,” she sings, “in clouds at icy altitudes”.

Smog- Dongs Of Sevotion

Dongs of Sevotion probably lacks the cohesion of A River Ain’t Too Much To Love, but is an absolute tour de force of intense, minimal songcraft. Dress Sexy At My Funeral alone is a work of beguiling emotional complexity, dragging the listener in with a jangly tune and that old, detached Callahan wit before leaving them battered on the curb, mascara streaming.

Sufjan Stevens- Seven Swans

I once subjected Sufjan Stevens to a really terrible interview for my student newspaper, in which, before slipping him my demo, I remarked that Seven Swans was my favourite of his records. He seemed a little bit embarrassed and unwilling to talk about it- possibly because of the deeply personal nature of record’s religious subject matter- possibly because he was bored and hungry and overheard me drunkenly critiquing his satchel. Seven Swans appears at face value not to be as ambitious as his other studio records, but the intimate, pithy production of Daniel Smith emphasises Sufjan’s exceptional talent as a singer-songwriter in the classic mould. And for the record, I now own a satchel.

Microphones- The Glow pt 2

It’s tricky to isolate one Phil Elvrum record, he has been one of the few genuine musical auteurs of this decade, but this just shades it in my opinion. There are few more glorious sounds in life than the moment in the title track when doubled-up acoustic guitars surface with the line “I took my shirt off… in the yard”.

Papa M- Whatever, Mortal

This is a beautiful, mumbling, damaged folky record in the Louisville tradition, from just before that big alt-folk explosion that left everything covered in tattered cheesecloth and broken old bits of crumhorn for a few years.

Deerhoof- Apple O’

Well, it could’ve been any single one of their records, but possibly on the strength of Apple Bomb alone this album has made the cut.

Danielson Famile- Fetch The Compass Kids

I so desperately wanted to be in Danielson Famile. In fact I was once tentatively offered a support slot with them only to be bumped off the bill by some band called Los Campesinos!. It’s hard to imagine this record being made today, although Danielson have always been a law unto themselves and this is a joyful, unhinged masterpiece.

Joanna Newsom- Milk Eyed Mender

Seeing as Aleks chose Ys, I’ll go for Milk Eyed Mender. It’s easy to forget that when Milk Eyed Mender first emerged it was largely critically derided in the UK as kooky nu-folk hipster rubbish, but luckily in this instance the cream eventually rose to the top and still tastes as fresh as it did in 2004. What a neat little metaphor.

Lambchop- Nixon

As you may remember, 9/11 profoundly influenced everything that bobbed in its hellish wake, but it’s easy to forget that the world before it wasn’t exactly some sort of Dario G-esque utopian dreamscape. This record dates from 2000 and tackles the familiar theme of darkness and corruption lurking beneath the placid surface of American society. The arrangements are as rich as a Norman Rockwell painting, the lyrics wry and melancholic as a Hopper.

Brian Wilson- Smile

As anyone who has heard the original Smile recordings will attest, this record sounds like Jayne MacDonald and her cruise ship choir taking on Arvo Part’s yet to be discovered Ulysses, The Musical!. It lacks any of the intensity, spontaneity and sprawling mess of the original tapes, yet standing alone this is still a phenomenal, historic record.

Grizzly bear- Veckatimest

Sir Alex Ferguson always used to muse that if he only had “a team full of Roy Keanes” he would win every game until the end of time. In reality this concept is flawed: whilst steely in midfield, this would be a team hopelessly short on pace, finishing, a decent ‘keeper and at any one time depleted by 90% due to suspensions.

Grizzly Bear conform as near to this model as any band can get, but rather than turning out a choir of tone-deaf bawling Irish midfield generals, they are four angel-voiced Ed Droste-alikes. Actually, come to think of it, Grizzly Bear are more like really good team full of fabulously talented players -like Newcastle, perhaps- but that wouldn’t have given me the chance to take a drunken swing at Ol’ Roy.

Animal Collective- Campfire Songs

Campfire Songs was recorded in one take on a porch in Maryland using 3 minidisc players with tiny Sony electret mics. The natural ambient sounds of wind and twigs cracking, coupled with the strongly impulsive nature of the performances lend this record a strong documentary feel. The record’s slow intimacy makes this feel more Mt Eerie than Merriweather, but in truth I haven’t heard anything else that really sounds like it.

Why?- Elephant Eyelash

As douchie as it will doubtless sound, I don’t think there could have been a more 00sie record than this. Broken bits of meandering, almost Tarantino-esque dialogue mixed with dazzling airtight couplets assembled with NASA precision, set to… OK I’m going to stop before I completely suck the lifeblood out of this album and all music for all eternity. Thnx.

Magnetic fields- 69 Love Songs

If Stephin Merritt weren’t such a contrarian, he’d be the Burt Bacharach of this century. Whilst Stephin too probably spends the vast majority of his time flashing toothy pianoside grins with a white towel draped around his shoulders, luckily he also possesses the kind of obscene lyrical wit that would make old Burt keel over backwards into the first chair trombone of the Tijuana Brass. 69 Love Songs sneaks into this list on the technicality that it wasn’t available in the UK until 2000, and ten years on it is as much a joy as it was then. A truly remarkable and audacious record.

Steve Reich- Daniel Variations

I’m just getting into what “they” seem to have dubbed “contemporary classical” but this was mind blowing. Steve Reich’s influence on indie music has been palpable (see: Sufjan), but equally indie music must have made something of an impression on Reich. Anyway, this is a choral and orchestral masterpiece.

Beach House- Beach House

Really cool record, but you know that already.

Joan Of Arc- Boo! Human

Probably the ultimate break-up album. I’m hazy on the details, but I’m led to believe that Tim Kinsella (formerly of Charlton Athletic) broke up with his wife and then wrote songs with titles like 9/11 2 and A Tell Tale Penis. It’s kind of like being a tourist in another’s personal living hell, but then so is a trip to Chester Zoo and that’s pretty popular.